A composer and theorist with a specialty in computer music, Reginald Bain (b. 1963) holds degrees from Northwestern University (D.M. Composition 1991 & M.M. Composition 1986) and the University of Notre Dame (B.S. Mathematics and Computer Science 1985) where he studied composition and computer music with Gary Greenberg, Paul Johnson, M. William Karlins, Gary Kendall and Alan Stout. As a Salter Fellow in composition at the University of Southern California in Los Angeles he studied with Robert Linn, David Raksin and Leonard Stein. He is currently Professor of Composition and Theory at the University of South Carolina where he serves as Theory Area Coordinator and Director of xMUSE.
Dr. Bain has composed a wide variety of music that has been performed by leading artists across the U.S. and Europe. He is an accomplished electroacoustic composer whose works employ unique musical sonification techniques, algorithmic approaches and tuning systems. His recent work, including his compact disc of electronic music Sounding Number, focuses on musical sonifications of mathematical ideas. His music is available on the Centaur, Equilibrium, Innova and Red Clay labels.
Dr. Bain's work in the area of music theory focuses on pedagogical software development for mathematical music theory. He has served as editorial consultant for "An Introduction to Twentieth-Century Music," the final unit of McGraw-Hill’s widely acclaimed undergraduate theory textbook Tonal Harmony by Stefan Kostka and Dorothy Payne, and his articles have appeared in the Csound Journal, Proceedings of the International Computer Music Conference, and Proceedings of the Bridges: Mathematics, Music, Art, Architecture, Culture International Conference.