Music Theory III


MUSC 216 | E-book | Naxos | OnMusic | Grove/Oxford | Harvard Dictionary

Aldwell, Edward, Carl Schachter, and Allen Cadwallader. 2010. Harmony and Voice Leading, 4th ed. New York: Norton. {GB}

Burstein, L. Poundie and Joseph N. Straus. 2015. A Concise Introduction to Tonal Harmony. New York: Norton. {GB; Norton; 2/e: GB}

Caplin, William E. 1998. Classical Form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven. New York: Oxford University Press. {GB; Full-text: ACLS}

_____________. 2013. Analyzing Classical Form: An Approach for the Classroom. New York: Oxford University Press. {GB; Companion Website}

Clendinning, Jane Piper and Elizabeth West Marvin. 2018. The Musician's Guide to Theory and Analysis, 3rd ed. New York: Norton. {GB; Norton}

Harrison, Daniel. 1994. Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents. Chicago: University of Chicago Press. {GB}

Hepokoski, James A. and Warren Darcy. 2006. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York: Oxford University Press. {GB; Full text: ACLS}

Kopp, David. Chromatic Transformations in Nineteenth-Century Music. Cambridge: Cambridge University Press. {GB; Full-text: ACLS}

Kostka, Stefan and Dorothy Payne. 2008. Tonal Harmony: With an Introduction to Twentieth-Century Music, 6th ed. New York: McGraw Hill. {GB}

Laitz, Steven. 2015. The Complete Musician, 4th ed. New York: Oxford University Press. {GB; Companion Website

Updated: July 31, 2019

Reginald Bain | University of South Carolina | School of Music