BAIN MUSC 215
Music Theory III

Harmonic Analysis


MUSC 215 | E-book | Naxos | Listening/Analysis


Ch. 25-26 Applied Chords: V/ & viio/

MODEL ANALYSIS
HAYDN, German Dance, Hob. IX: 12/4 {Naxos} – Textbook Ex. 26.8, p. 250
Bart van Oort, piano

  1. SCHUMANN, Album for the Young, Op. 38
  2. BEETHOVEN, Piano Sonata No. 4, Op. 7, II. Largo con gran espressione {Naxos} – Wrk. Ex. 25 G 12, p. 270
  3. J.S. BACH, Chorale No. 7, BWV 17 {Naxos} – Wrk. Ex. 26 G 3, p. 281
  4. MOZART, String Quartet, K. 458, II. Menuetto {Naxos} – Wrk. Ex. 26 G 10, p. 284

EXAM 1


Ch. 27-28 Modulation

MODEL ANALYSIS
Handel, Violin Sonata in E, III. Largo {Naxos} – Textbook Ex. 28.15, p. 271
Ensemble Vintage Koln

  1. J.S. BACH, Chorale No. 192 , BWV 321 {Naxos; @ 0:30) – Wrk. Ex. 27 G 1c, p. 298
  2. MOZART, The Magic Flute
  3. HAYDN, String Quartet, Op. 50, No. 1 – Wrk. Ex. 27 G 2c, p. 301
  4. SOR, 6 Short Pieces, Op. 5 – Wrk. Ex. 27 G 3, p. 302
  5. J.S. BACH, Chorale No. 102 , BWV 43 {Naxos} – Wrk. Ex. 28 G 1d, p. 312
  6. HAYDN, Symphony No. 63 – Wrk. Ex. 28 G 1r, p. 314
  7. CORELLI, Chamber Sonata, Op. 2, No. 5 – Wrk. Ex. 28 G 2, p. 315

Ch. 29 Modal Mixture

MODEL ANALYSIS
Schumman, Dichterliebe, op. 48, No. 7 "Ich grolle nicht," (I Bear No Grudge) {Naxos} – Textbook, Ex. 29.4, p. 276
Olaf Bar, voice; Geoffrey Parsons, piano

  1. Joplin, Maple Leaf Rag {Naxos} – Wrk. Ex. 29 F 1, p. 323
  2. Schubert, Lachen und Weinen, op. 59, no. 4 {Naxos} – Wrk. Ex. 29 F 2e, p. 326

EXAM 2


Ch. 30 The Neapolitan Chord: N6

MODEL ANALYSIS
Beethoven, Piano Sonata No. 14 in C# minor (Moonlight), I. Adagio sostenuto {Naxos} – Wrk. Ex. 30 G 1d, pp. 334-35
Maurizio Pollini, piano

  1. Schubert, Die schone Mullerin, Op. 25, Wrk. Ex. 30 G 2, pp. 336-37
  2. Waltz No. 3 in A Minor, Op. 34

Ch. 31 Augemented Sixth Chords: It+6, Fr+6 & Ger+6

MODEL ANALYSES
BEETHOVEN, Symphony No. 5 in C minor, Op. 67 (1808), I. Allegro con brio {Naxos} – Textbook Ex. 31-18
Orchestre Révolutionnaire et Romantique; John Eliot Gardiner, cond.

CHOPIN, Prelude No. 20 in C minor, from Preludes, Op. 28 (1835-39) {Naxos} – In-class exercise
Maurizo Pollini, piano

MOZART, Don Giovanni (1787), Overture {Naxos} – In-class exercise
Philharmonia Orchestra, David Parry, cond.

  1. Mendelssohn, Abschied von Rom (Farewell to Rome) {Naxos} – Wrk. Ex. 31 F 2, p. 344
  2. Schubert, Gesang des Harfners, Op. 12 – Wrk. Ex. 31 F 4, p. 345
  3. Beethoven, Bagateles, Op. 119 – Wrk. Ex. 31 F 6, p. 346
  4. Schumann, Albumblätter, Op. 124 – Wrk. Ex. 31 F 8, pp. 345-46

FINAL EXAM


Reference

Burstein, L. Poundie and Joseph N. Straus. 2015. A Concise Introduction to Tonal Harmony. New York: Norton.


Updated: December 11, 2017

Reginald Bain | University of South Carolina | School of Music
http://in.music.sc.edu/fs/bain/vc/musc215/